🎨 Éric Rohmer on the presence of color in La Collectionneuse (1967) and Claire’s Knee (1970): “I didn’t use color as a dramatic element, as some filmmakers have done. For me it’s something inherent in the film as a whole. I think that in La Collectionneuse (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it’s not direct and there aren’t any color effects, as there are for example in Bergman’s most rece