Vanity Fair's cover star Teyana Taylor opens up in her interview with the gospel choir. Hear about her journey of purpose, discipline and perseverance. Director: Claire Buss Director of Photography: ...

Costa del Sol residents are in for an emotional and uplifting treat as the renowned Mississippi Gospel Choir takes the stage at the FYCMA – Palacio de Ferias y Congresos de Malaga on Saturday, January ...

The number 40 recurs again and again and again in the Bible, often marking periods of trial and tribulation. Noah and his floating menagerie survived 40 days and nights of exterminating rain. Moses ...

As Millennium Gospel Choir members rocked and swayed at a Sunday afternoon rehearsal at St. Paul AME Church, in Cambridge, music director Donnell Patterson walked among them, clapping out the beat.

The Book of Genesis is deceptive. It has a rich cast of characters: Abraham and Sarah read like the Ralph and Alice Kramden of the Bible (yes, God would be the Art Carney); then there's the tension ...

An impending flood is the least of the Johnson family’s troubles in this outrageous reimagining of Noah’s Ark from Tony Award-nominated writer and director duo Jordan E. Cooper and Stevie Walker-Webb.

Scene from the New York premiere of OH HAPPY DAY!, written by Jordan E. Cooper and directed by Stevie Walker-Webb. Photo credit: Joan Marcus. New York’s Public Theater has hit paydirt with a fresh, ...

MUNCIE, IN — Ball State University will welcome the Grammy- and Emmy Award-winning Soweto Gospel Choir to Emens Auditorium for a free performance at 7 p.m. on Monday, Nov. 3. Tickets are available at ...

Jordan E. Cooper is not experiencing the usual sophomore slump — certainly not at the Public Theater, where his newest play had its world premiere Wednesday. “Ain’t No Mo’,” his first play at the ...

Performances in N.Y.C. Advertisement Supported by Critic’s Pick An urgent family mission propels Jordan E. Cooper’s pain-spiked supernatural comedy, a very loose riff on the biblical story of Noah. By ...

Two music-infused plays that originated at Baltimore Center Stage have transferred to off-Broadway — a sign that Maryland’s largest theater is assuming an increasingly important role in the national ...