Peace Mbengei discusses We Run the Night, her YA horror novel about grief, Luo night runners and a strangler fig that ...
A five-star review of Hailey Piper’s This Movie Doesn’t End the Way We Want where lost media, grief and cosmic fear turn the ...
Dean Cade's Lost Boys turns the Dean Corll murders into aching queer horror. A five-star review of the Summer 1973 trilogy's ...
The entrepreneurs who stall aren’t the ones who face risk — they’re the ones who face it without a framework for thinking ...
The Need by Megan Mostyn-Brown turns cannibal horror into a sharp family drama about blood, class and inheritance. A rare ...
Faith without proof is a virtue. In a locked house, it is a life sentence.
Why 1994 Was Perfect for a Cursed Movie, when VHS culture, bad information and a pre-Google web gave horror room to hide.
Tananarive Due follows The Reformatory with a generation-spanning Black horror where a child's wish grows teeth.
AJ Malachite's You See It Too is a second-person queer gamebook horror in a Texas bayou, where every branching path costs you someone you love.
J.R. Blanes discusses Portraits of Decay, Southern Gothic horror and the New Orleans art community that shaped the novel. He ...
A. Rushby's All Her Beautiful Deaths is a dual-timeline gothic built on Victorian death photography. Our four-star review of the Verve Books release.
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