Jeremy has more than 2200 published articles on Collider to his name, and has been writing for the site since February 2022. He's an omnivore when it comes to his movie-watching diet, so will gladly ...

Alan Ritchson's new Vietnam War thriller begins. filming in Australia as the Reacher star shares a first look at his ...

From this vantage point, it is impossible to know how 2025 will be remembered. But it certainly seems like the very interesting times everyone is living through are reflected in a crop of films that ...

Spike your eggnog and relax with our list of the finest flicks of the year about invasive AI, soaring superheroes, and Lovecraftian horrors. When you purchase through links on our site, we may earn an ...

From gripping dramas to thought-provoking documentaries, these 10 standout films from 2025 offer proper escapism once the ...

Netflix and Paramount’s ongoing war to acquire Warner Bros. is merely further confirmation that the film industry—faced with dwindling post-COVID ticket sales and growing threats from streaming—is in ...

We’ve come along way since “Scream 2” declared, with all the confidence of a stuck-up film student, that “sequels suck.” Once upon a time feature film follow-ups were, typically, cynical cash-grabs, ...

This is read by an automated voice. Please report any issues or inconsistencies here. We know we said something similar last year, but 2025 gave us an abundance of fantastic films about the ...

In his work, he often returned to Manzanar, the camp in which he and his family, along with thousands of other people of Japanese descent, were interned during World War II. Robert Nakamura in an ...

The year 2025 delivered a wealth of exceptional filmmaking, with independent movies securing significant critical and audience acclaim despite not always having the marketing might of blockbusters.

Filmmakers like Steven Spielberg, Greta Gerwig, and Christopher Nolan are going back to theaters in the most anticipated ...

Rotten Tomatoes may have become a near-universal source for quantifying a film’s critical reception (if not necessarily reading actual criticism). But real ones are always quick to point out that ...