Warwick Gleeson's TORMENT BECOMES THEM is an ambitious blend of horror, historical dark fantasy and time travel that asks whether changing history is ever wise. Our review explores the highs, the lows ...

What links all of them is the same quiet horror: the game looked fair because the house made sure you couldn’t see the parts ...

The Raven by Susan McCauley is a slow, merciless gothic horror set in the 1665 plague winter. Our four-star review of the ...

We Are For The Dark by Gretchen McNeil, a religious folk horror where a boat-less Newfoundland island asks what you would ...

Avery Flynn's spicy witch-and-werewolf fated-mates rom-com is her best Sherwood Witches book yet, saggy middle aside. 4 stars ...

Keith Rosson's Crone welds folk horror to crime noir: a missing daughter, a broken father, and a vengeful witch in a ...

Kiss Slay Replay The Queen of Contemporary Horror turns a wedding weekend into a slasher on repeat, and delivers a smart ...

She's a Doll by Barbara Truelove kills its heroine with politeness, then hands her rage as a motor. Our review of a brutal, ...

Penny Lane Is Dead review. Hope Madden on Mia Kate Russell's Australian home invasion horror, its practical gore, and the ...

Corpse Creek and Fear Farm by Vincent Ralph, reviewed together: one supernatural grief-horror, one haunted-attraction slasher ...

Mackenzie Reed's I Hope This Email Finds You in Hell turns corporate life into a literal descent. Our four-star review of a ...

Sam O'Nella Academy's Sam A. Miller sends aliens to fix everything, then watches eight linked stories of people wreck ...