I left Katherine Bradford’s first museum show, August, at the Bowdoin College Museum of Art, Brunswick, Maine (June 29 – September 1, 2013) wishing for an in-depth survey. As it is, there are eight ...

I certainly wasn’t the only person to be dazzled by Katherine Bradford’s breakthrough show, Desire for Transport, at Edward Thorp (April 27–June 2, 2007), nearly a decade ago. In fact, I was so ...

But, while pandemia has surely informed the particularities of the septuagenarian painter’s practice, the reality is that the embrace of closeness in “Mother Paintings” is the latest step in a ...

Katherine Bradford's recent paintings can be read as hilarious and catastrophic, decorative and sublime. They are concerned with the ocean, populated by boats and bathers, as a metaphor for the ...

Whatever might be said of Katherine Bradford’s career review at the Portland Museum of Art, the show constitutes a personal victory. Determined to paint, the artist withdrew from a marriage, brought ...

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On May 28, for the first time in 217 Commencement Ceremonies, the College presented all of this year’s honorary degrees to women as part of its celebration of fifty years of women at the school.

CAMBRIDGE — A headless figure in jeans and a white T-shirt hovers midframe in Katherine Bradford’s “Brothers,” the softly inchoate painting that meets you at the front door of her shared exhibition ...

The present work, Seaside, 1 Woman, 2 Men, is the first in a series of 30 gouache on archival pigment works by Katherine Bradford. Created in the spring of 2020, the series speaks to alienation and ...

Two months ago, as governors across the US began issuing shelter-in-place restrictions, New York artist Hannah Beerman, a recent graduate of the Hunter College MFA program, looked out the window of ...