In the architecture world, it's all about the re-appreciation of brutalism. The revival has been relatively swift—the verdict ...
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Digital Camera World on MSNHow Kodak film and VistaVision shaped the distinctive Oscar-winning look of 'The Brutalist'With a budget of under $10 million, DP Lol Crawley utilized VistaVision and Kodak film stock to create The Brutalist's ...
Brutalist architecture, known for its raw concrete, geometric forms and imposing presence, has gained a renewed interest in the modern age of social media and more recently through the film The ...
The exhibition curators, photographer Cole and University of Oklahoma ... In his foreword to the Capital Brutalism catalog, architecture critic and educator Aaron Betsky contends that Washington’s ...
David Scott's remote 1950s West Highland folly tempted photographer Andy Stagg into a long journey north. How big would the ...
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Francis Ford Coppola’s Megalopolis and Brady Corbet’s The Brutalist are wildly different in tone and tenor, but both revolve ...
The Oscar-tipped The Brutalist was shot in VistaVision, a film format last used in the 1950s. To understand why we need to dive into the fascinating history of cinematic film formats.
The Brutalist won a trio of Oscars last night, but it failed to say anything meaningful about architecture, writes Edwin Heathcote. The Brutalist tries hard to be an epic movie. And how often do ...
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