Like a lot of people, I first saw Billy Preston in “Let It Be,” where his luscious electric-keyboard noodlings provided the sweet center to songs like “Don’t Let Me Down” and “Get Back.” But it wasn’t ...
Paris Barclay's documentary explores a maverick who had hit singles, was secretly gay, and wasn't as big a 1970s star as he should have been. The sound of a holy organ rang out, and the camera zoomed ...
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