Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. Decca is proud to present I Fagiolini in the world-premiere recording of ...

Musical fashions may wax and wane, but showmanship never goes out of style. The urge to thrill and impress observers was as strong in the 16th century as it is today, as evidenced by Alessandro ...

The first thing anybody notices about Fleet Foxes is the band’s sound: something like John Denver in a fallout shelter, or Crosby, Stills and Nash singing in a gigantic underground cavern. You can ...

Among devotees of Renaissance music, Thomas Tallis' motet "Spem in alium" holds a special place. Scored for an astonishing 40 voices, this intricate work has long been considered a unique achievement, ...

Alessandro Striggio’s Missa Ecco sì beato giorno starts with a lone soprano voice, giving no clue to the spacious sonorities he is going to explore later on. This is his landmark mid-1500s Mass for 40 ...

Track title: Agnus Dei II Artist: I Fagiolini CD title: Alessandro Striggio Mass in 40 Parts Composer: Alessandro Striggio Duration: 2’00Record Company: DeccaCD Number: Decca 478 2734 Track title: ...

A sumptuous first recording of a long-lost 450-year-old Italian Renaissance mass written for 40 different vocal parts has soared onto British pop charts a week after its release. The recording by ...

Track title: Agnus Dei II Artist: I Fagiolini CD title: Alessandro Striggio Mass in 40 Parts Composer: Alessandro Striggio Duration: 2’00Record Company: DeccaCD Number: Decca 478 2734 Track title: ...

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or ...

I Fagiolini here presents the premiere recording of Striggio's recently discovered Mass composed for five choirs of eight parts apiece, which is presumed to be the inspiration for Thomas Tallis's ...

LONDON (Reuters) - A sumptuous first recording of a long-lost 450-year-old Italian Renaissance mass written for 40 different vocal parts has soared onto British pop charts a week after its release.